About Phil Abernethy CMBHI
My work as a sculptural clockmaker is a fusion of traditional craftsmanship and contemporary design. For years, I have been captivated by the art of clockmaking, a field that marries precision with creativity. Much of my inspiration stems from my time as an antique clock restorer, where I developed a deep appreciation for the intricate mechanisms and artistic ingenuity of historic timepieces.
At the core of my practice is a fascination with horology—the science of timekeeping. With its 700-year legacy, horology is a remarkable convergence of art, science, mechanics, and technology. It tells stories of human innovation and determination, and has contributed to advancements across various disciplines. My work seeks to honor this legacy while reimagining it for the modern world.
I am passionate about preserving the traditions of my craft. I believe that maintaining the skills and knowledge associated with clockmaking is not just an act of historical preservation, but a vital link to our cultural heritage. My work celebrates the tactile, hands-on relationship with materials and the enduring ingenuity that these time-honored techniques represent. Through my clocks, I aim to bridge the past with the present, offering a fresh interpretation of a timeless art form.
Selected Recognition
Nevada Museum of Art — Centuries of the Bristlecone
Permanent museum commission featuring a monumental clock designed and made by Phil Abernethy, based on a concept by Jonathon Keats and developed in collaboration with Brittany Cox, Jason Iceman and the Long Now Foundation.
View the exhibition
The Long Now Foundation — Centuries of the Bristlecone
Project coverage describing the installation and its development.
View the project
Loch Gallery — Phil Abernethy
Artist profile, biography and selected works presented by one of Canada’s established fine-art galleries.
View the gallery profile
1050 K Street, Washington, D.C. — Lobby Clock
Architectural project page documenting the Mechanical Isochronal lobby installation.
View the project
Selected Press and Editorial Coverage
Studio Magazine — Phil Abernethy
A portfolio feature exploring Abernethy’s background, influences, working methods and sculptural approach to contemporary clockmaking.
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Noema Magazine — “A Clock in the Forest”
An essay by Jonathon Keats examining the development of the Bristlecone clock and Abernethy’s role in its design and fabrication.
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University of Nevada, Reno — “New Clock in Nevada Museum of Art Tells a Different Kind of Time”
Coverage of the completed Bristlecone installation and the scientific and artistic ideas behind the work.
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Professional Association
Craft Member of the British Horological Institute
Supporting project material
“Bristlecone Time” project document
A detailed PDF explaining the proposed clock, its mechanism and the underlying idea.
Open the Bristlecone Time PDF